Saturday, November 1, 2008
Jim Lucas Slideshow
Wednesday, August 6, 2008
Thursday, July 24, 2008
Magazine Cover
Sunday, July 20, 2008
Tuesday, July 15, 2008
Monday, July 14, 2008
Photoshop HW8 Pt. 4 Typography Experiments
Saturday, May 10, 2008
Pace Photographs from West Africa
"The Person in Front of You: Photographs from West Africa," offer a vivid view of day to day live in a land that most will never see, with great displays of thatch roofed houses and beautiful hand woven dresses.
My first favorite photograph here is the shot of a young woman in a purple dress against a wall of different chipped off colors. I find that this shot captures this young lady in a great moment. She seems a bit pensive, yet open. The colors of this shot are astounding in my opinion.
I also loved the shot of the lady making potery with her young child sticking its head out from behind her. The woman is very stoic, but reveals much in her face: inquisition, protection and warmness. The kid is totally spooked.
Overall, I found this to be a great set of pictures and found that the close portraits to be outstanding over all.
My first favorite photograph here is the shot of a young woman in a purple dress against a wall of different chipped off colors. I find that this shot captures this young lady in a great moment. She seems a bit pensive, yet open. The colors of this shot are astounding in my opinion.
I also loved the shot of the lady making potery with her young child sticking its head out from behind her. The woman is very stoic, but reveals much in her face: inquisition, protection and warmness. The kid is totally spooked.
Overall, I found this to be a great set of pictures and found that the close portraits to be outstanding over all.
Tuesday, May 6, 2008
Uni Envi Port
Friday, May 2, 2008
Photo Illustration
Monday, April 28, 2008
Monday, April 21, 2008
Event Pictures
Saturday, April 19, 2008
Bresson Copy Atempts
Monday, April 14, 2008
Henri Cartier Bresson
"The simultaneous recognition, in a fraction of a second, of the significance of an event as well as the precise organization of forms which gives that event its proper expression... . In photography, the smallest thing can be a great subject. The little human detail can become a leitmotif." — Henri Cartier Bresson

In photography, our aim should always been capturing genuine moments and Henri Cartier Bresson, in my opinion, did accomplished this in every shot. Bresson, a French photographer, is considered to be the father of street photography and photo journalism.
Bresson worked with a very small Leica rangefinder camera (I am a rangefinder user as well), a 50mm lens and would often cover his camera with black tape to make it less conspicuous. When working with human subjects, they have a tendency to close off real emotion and try to express what they think you want to see.
Bresson's style breaks through posed moments and brings out genuine moments of emotion, which you will see in the imagines below (his picture of Marlyn Monroe is perhaps the only picture I have seen of her not vamping).
His work is always balanced very well with great contrast. He seems to know exactly when and where to use shallow depth of field or to go really deep into the picture.




In photography, our aim should always been capturing genuine moments and Henri Cartier Bresson, in my opinion, did accomplished this in every shot. Bresson, a French photographer, is considered to be the father of street photography and photo journalism.
Bresson worked with a very small Leica rangefinder camera (I am a rangefinder user as well), a 50mm lens and would often cover his camera with black tape to make it less conspicuous. When working with human subjects, they have a tendency to close off real emotion and try to express what they think you want to see.
Bresson's style breaks through posed moments and brings out genuine moments of emotion, which you will see in the imagines below (his picture of Marlyn Monroe is perhaps the only picture I have seen of her not vamping).
His work is always balanced very well with great contrast. He seems to know exactly when and where to use shallow depth of field or to go really deep into the picture.
Friday, April 11, 2008
Silhouette
The bottom shot is my favorite, but I thought I would show a progression through the stops to the final darkness.
Saturday, March 29, 2008
Framed Shots
Saturday, March 22, 2008
Monday, March 17, 2008
Music Video Shoot (Paloma and the Rubies)
SJSU Music Video Production class, RTVF 185, collaborated with Paloma and the Rubys to film a music video during April 2008.
"The students all want to start at the top," said SJSU Set Shop assistant Aaron Kaufman. "My job is to make sure the ones who start at the bottom do their jobs as well."
The set for the music video is created by students, some of whom had to work over their spring breaks.
"They were told they could not attend any of the off site filming locations unless the inside set was complete," said Kaufman.
The students were able to transform the University Theater into a Mexican Villa a matter of a few weeks.
Aaron Kaufman, Set Shop Assistant and SJSU student, stands before the tool shed.
The University theater in early stages of transformation. The columns above will be coated with stucco.

John York, head of the design shop, looks on as Ryan Pantalunan slices some Formica.
Crystal Jix and Eerin Cain use Formica slices to fill seams in the stage.
Students stain wooden tiles that will be glued to the walls of the set.
Jaime Hilgeneck applies stucco to wooden steps to give the appearance of natural carved stone steps.

The University Theater enjoys a rare moment of silence during the set building process.
Paloma and the Rubies bring the set to life.
"The students all want to start at the top," said SJSU Set Shop assistant Aaron Kaufman. "My job is to make sure the ones who start at the bottom do their jobs as well."
The set for the music video is created by students, some of whom had to work over their spring breaks.
"They were told they could not attend any of the off site filming locations unless the inside set was complete," said Kaufman.
The students were able to transform the University Theater into a Mexican Villa a matter of a few weeks.
John York, head of the design shop, looks on as Ryan Pantalunan slices some Formica.
The University Theater enjoys a rare moment of silence during the set building process.
Saturday, March 15, 2008
Shadows and Light
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